LITERATURE

LITERATURE 1
Ahmed,Sofe.2012. Sigmund Freud’s psychoanalytic theory Oedipus  complex: A critical study with reference to D. H.  Lawrence’s “Sons and Lovers”.Vol.3No.3 (60-70)

This article discuss about the Sigmund Freud’s psychoanalytic theory Oedipus  complex: A critical study with reference to D. H.  Lawrence’s “Sons and Lovers”. Freud  has  brought  lot  of  controversies  in  the  field  of  modern psychology and literary trend through his theory Oedipus complex, this  paper  aims  to  critically analyze  the  facts  lying  with  the  hallucination  of  Oedipus  complex  as  it  is  presented  in  “Sons  and Lovers”, it can be asserted that it is not usual or natural  for  the  people  living  in  a  healthy  family  and environment  to  have  such  anomalous  and  complex emotional problems.
https://drive.google.com/drive/folders/0B3aB1yD8EtDjYjVtY0FUSU1oOG8 


LITERATURE 2

Saleh,Salman.2015. The  Ideological  Questions  of  Marriage  in  Thomas  Hardy’s  Jude the Obscure.Vol.17.No.2 (49-57) 


This article discuss about The  Ideological  Questions  of  Marriage  in  Thomas  Hardy’s  Jude the Obscure. This  study  aims  to  present  Hardy’s  outright  hostility  towards  the  nineteenth-century  Christianity through  his  creation  of  non - conformist  characters,  necessitating  a parallel  study  with  other  contemporary  discourses regarding marriage and femininity, and conflict with the religion of the time. Despite his critique to the contemporary perception on femininity and marriage, Hardy led the final plot of his novel in commune with  the  society’s  mores,  vindicating  his  chauvinistic attempt as a Victorian male novelist
https://drive.google.com/drive/folders/0B3aB1yD8EtDjYjVtY0FUSU1oOG8 


LITERATURE 3

M, Moslehi.2016. A Study of Gender Performativity in Virginia Woolf’s Orlando: A Mocking Biography.Vol.18.No.7 (1-7)

This paper about A Study of Gender Performativity in Virginia Woolf’s Orlando: A Mocking Biography. The novel use theory of  gender  as  performance  and  how  Virginia  Woolf challenges the assumptions of heterosexuality in Virginia Woolf‘s Orlando (1992). Orlando‘s

transformation from male to female and exhibition of the characteristics of both feminist and masculinity expose how gender norms are socially instituted, Woolf also shows clothing as

signifiers of the social construction of gender and how characters flout this convention by using cross dressing .

https://drive.google.com/drive/folders/0B3aB1yD8EtDjYjVtY0FUSU1oOG8